As they keep searching      

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                                                                                                                             Source: mensxp.com

Many wannabe musicians feel that following music full-time in this country does not pay off financially. And this insecurity tends to make many abandon their dreams and passions. This wasn’t the case for Uddipan Sarmah, the lead singer and guitarist for Ahmedabad’s Hindi-post rock and ambient outfit aswekeepsearching. The band has received critical acclamation since the release of their debut album Khwaab in October 2015 and has played in shows headlined by the likes of Tides From Nebula and Steven Wilson. The band is back with their latest 11-track offering ZIA, which was released in May. Since the band’s formation in 2013, they have come a long way. From playing in shows without any payment to signing off a deal with a music label from Russia, the journey has been tough but rewarding at the same time.

Shubham Gurung (Guitarist/Keyboardist) and Sarmah came up with the idea of the project when the latter was doing his engineering graduation from Dayanand Sagar College, Bangalore. “I have known him for the past ten years. We have been making different music whenever we used to catch up. I was in Bangalore, doing my graduation and he used to be home in Ahmedabad so whenever I had semester breaks, we used to sit and write music,” says Sarmah. After his graduation with an electrical engineering degree, Sarmah worked as an application engineer for a year and a half before taking quite a risky step and quitting his job in 2013. “I had two years of experience and a degree and even if I had to lose two more years doing music, it wouldn’t have hampered me and so I decided to pursue music full-time”, he says. Coming back to Ahmedabad, Sarmah decided to open up BlueTree Studios, his own personal recording space which proved to be a major asset for the band’s activities. “I started producing other artists, mostly local artists from Ahmedabad. And since we had our own space, a lot of things got easier for us, for example, to record or maybe sit in a studio and write scratches,” he says. Sarmah approached a mostly DIY process when it came to the technicalities of the recording process by consulting YouTube videos and experimenting on his own personal projects including the band’s first EP released in the year 2014 titled Growing Suspicions.

“After the studio was up, I and Shubham decided that it was time to take things forward professionally. Thus, we wrote some scratches from our side but we were short of a bassist and a drummer. That is when we met Tushar and Ashwin Naidu who filled up for the duties respectively,” he says. The release of the EP generally got them a positive reception and the next step in Sarmah’s mind was taking it live. But things weren’t so easy for them. “We jammed but we didn’t get any shows for around 7 to 8 months. And we were from Ahmedabad which didn’t have a scene and until and unless you come out of the city and play in other cities, nobody notices your work. And I believe at that point of time, there were a lot of other bands who were doing really great and for a new band to reach out to a larger audience was really difficult,” Sarmah recalls.

Tushar and Naidu decided to leave the band in late 2014 for their musical pursuits. Current drummer Gautam Deb and bassist Bob Alex came into the picture after a few moments of discussion and jamming sessions proved them able for the job. Sarmah goes on to talk about the genre they are associated with, something which is quite underground in the country. “We never considered writing post-rock music. It was more of like our whole influences put together into a song and when it was released people started categorising it into post rock. We were influenced by that genre and bands like God Is An Astronaut for instance and that is evident, but our music has elements of electronica, rock and metal and I think that makes us much more than a post-rock band,” he remarks. What set the band apart are their Hindi vocals and Sarmah believes that this was something which made them interesting and the audience felt that this was different within the scene as there wasn’t such an amalgamation between Hindi and western influences. The quartet might be the only Hindi post-rock band on the planet.

Sarmah was able to sign up a record deal with Flowers Blossom In The Space from Russia who was seemingly impressed by the music that they were making and this led to preparations for their first debut Khwaab. “Every band’s first album is always something which is special. We ended up getting some really genuine fans who came out to see us live and then talked about how good the experience was. We are a performance based band and live shows mean a lot to us,” Sarmah says. The five city tour in Russia during October 2016 was a turning point in their career and even provided inspiration for a song titled There You Are in ZIA. “It is old now and we have talked enough about that tour. Let’s just say it was a fun experience,” says Sarmah.

ZIA chronicles the various adventures and feelings the band members felt while travelling and touring after Khwaab’s success. “This time we sat down and discussed our experiences and decided to write songs based on them. What we felt collectively was really deep and so it was easy for me to write the lyrics for the album. Khwaab was more of a random album while this isn’t,” Sarmah says. The production took one and a half years with delays mostly due to touring. Sarmah and Gurung travelled to a small village named Kalga in Himachal Pradesh for a week which inspired the song Kalga. “Going there was more of a personal choice because we thought that we were at that moment of time when we were lacking some creativity and wanted to take a break from constant gigs and travelling. Even then we definitely had that whole thing on our head of writing music there. We took a few instruments with us so that we could program and write scratches,” he says. ZIA features three guest musicians namely Sambit Chatterjee from Ganesh Talkies, Ajay Jayanthi from Anand Bhaskar Collective and Rishabh Seen from Delhi-based prog band Mute The Saint. On taking this step, Sarmah says “The moment we were done with the songwriting and recording, we felt like in some songs we had some space for some tabla, strings and sitar. So, we sent it to the artists and they really liked it and the moment they sent us the scratches, we liked it in the first go itself”

Being featured on UK’s prestigious PROG Magazine and Metal Hammer has been earning them quite an international presence. Many blogs have reviewed their new album and the reception has been positive. When asked about the band’s future prospects, Sarmah makes it really clear, “Now we are only focusing on the gigs ahead of us. We are doing a 14-city India Tour starting from September 5th. We will also be playing live in the NH7 Weekender in both Pune and Shillong. So now, all we want is to go onstage and just play the music. Once we are done playing ZIA in different venues, we will plan for the future.”

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